• TIME RACE From the dawn of the late 1960s to the present. Positions on architecture, form, and time. May 23 and 24, 2025 Studio Schülke

    Time, like space and form, serves to describe what happens in the world. And: "Not everything is possible at all times," wrote Heinrich Wölfflin in 1915, the very year that Kazimir Malevich exhibited the famous "Black Square," which symbolized the end and new beginning in art, at the Dobytčina Gallery in Petrograd.

    Today, many of us still believe that works of art should be never seen before creations and not merely exceptional. This idea probably stems from our awareness of striking positions in art history that emerged during major upheavals or an atmosphere of renewal. In the contemporary and postmodern movements that followed the avant-gardes and modernism, however, the new thing was, that in a broad movement everything became possible – “anything goes”. Contemporary art and Postmodernism, as a whole, is therefore new and unique.

    But all movements were concerned with the present, with time, embedded in the past and the future. The question is whether art was seen as a movement “against time" or “with time" or defined itself as such.

    In our exhibition TIME RACE, we present works that, driven by a spirit of criticism of the then-present postwar modernism, turned against the times; works that found their foundation in the spirit of optimism of the time and, so to speak, moved with the times; and works that, given the artists' year of birth, cannot be considered avant-garde or the result of a spirit of optimism at all. This, of course, does not diminish their value, for the positions presented always point beyond themselves and reflect the events of their time.

    ARTISTS: Walter Michael Pühringer (ZÜND-UP) / Gottfried Hoellwarth / Christian Eisenberger / Bettina Schülke / Begi Guggenheim / Patryck Chan /

    CURATED BY: Andreas Schlichtner

    TIME RACE From the dawn of the late 1960s to the present. Positions on architecture, form, and time. May 23 and 24, 2025 Studio Schülke

    photo Art Collection Schlichtner

    TIME RACE From the dawn of the late 1960s to the present. Positions on architecture, form, and time.

    KUNST! KREATIVITÄT IN ZEITEN KÜNSTLICHER INTELLIGENZ? / Moritz Wildburger, Lukas Lex

    photo courtesy of Art Collection Schlichtner

    ART! CREATIVITY IN THE TIME OF ARTIFICIAL INTELLIGENCE? Moritz Wildburger, Lukas Lex
    2023-2024 / video creation via AI-tools, video cut, research, script, faking voices

    photo courtesy of Art Collection Schlichtner

    ART! CREATIVITY IN THE TIME OF ARTIFICIAL INTELLIGENCE? Moritz Wildburger, Lukas Lex
    2023-2024 / video creation via AI-tools, video cut, research, script, faking voices
    KUNST! KREATIVITÄT IN ZEITEN KÜNSTLICHER INTELLIGENZ? / Begi Guggenheim, Daniel Mazanik, Vanessa Mazanik, Die Magie der Levitation

    photo courtesy of Dominik Sepp

    ART! CREATIVITY IN THE TIME OF ARTIFICIAL INTELLIGENCE? Begi Guggenheim, Daniel Mazanik, Vanessa Mazanik, The Magic of Levitation
    2023-2024 / 70 x 70 x 120 cm / floating sculpture made of metal, glass, various materials
    KUNST! KREATIVITÄT IN ZEITEN KÜNSTLICHER INTELLIGENZ? / Begi Guggenheim, Daniel Mazanik, Vanessa Mazanik, Die Magie der Levitation (2)

    photo courtesy of Dominik Sepp

    ART! CREATIVITY IN THE TIME OF ARTIFICIAL INTELLIGENCE? Begi Guggenheim, Daniel Mazanik, Vanessa Mazanik, The Magic of Levitation (2)
    2023-2024 / 70 x 70 x 120 cm / floating sculpture made of metal, glass, various materials
    KUNST! KREATIVITÄT IN ZEITEN KÜNSTLICHER INTELLIGENZ? / Begi Guggenheim, Daniel Mazanik, Vanessa Mazanik, Die Magie der Levitation (3)

    photo courtesy of Dominik Sepp

    ART! CREATIVITY IN THE TIME OF ARTIFICIAL INTELLIGENCE? Begi Guggenheim, Daniel Mazanik, Vanessa Mazanik, The Magic of Levitation (3)
    2023-2024 / 70 x 70 x 120 cm / floating sculpture made of metal, glass, various materials

    photo courtesy of Art Collection Schlichtner

    ART! CREATIVITY IN THE TIME OF ARTIFICIAL INTELLIGENCE? Begi Guggenheim, Daniel Mazanik, Vanessa Mazanik, The Magic of Levitation (video)
    2023-2024 / 70 x 70 x 120 cm / floating sculpture made of metal, glass, various materials
    KUNST! KREATIVITÄT IN ZEITEN KÜNSTLICHER INTELLIGENZ? / Daniel Mazanik, It never worked

    photo courtesy of Art Collection Schlichtner

    ART! CREATIVITY IN THE TIME OF ARTIFICIAL INTELLIGENCE? Daniel Mazanik, It never worked
    2007 / Teslaspule, Kupfer, Stahl, Holz, Kunststoff
    KUNST! KREATIVITÄT IN ZEITEN KÜNSTLICHER INTELLIGENZ? / Vanessa Mazanik or the mutual pattern (off) each other

    photo courtesy of Art Collection Schlichtner

    ART! CREATIVITY IN THE TIME OF ARTIFICIAL INTELLIGENCE? Vanessa Mazanik or the mutual pattern (off) each other
    2022-2024 / digital-analog floating sculpture, soft machine, printing on glass, augmented reality (AR)
    KUNST! KREATIVITÄT IN ZEITEN KÜNSTLICHER INTELLIGENZ? / Vanessa Mazanik or the mutual pattern (off) each other  (2)

    photo courtesy of Dominik Sepp

    ART! CREATIVITY IN THE TIME OF ARTIFICIAL INTELLIGENCE? Vanessa Mazanik or the mutual pattern (off) each other (2)
    2022-2024 / digital-analog floating sculpture, soft machine, printing on glass, augmented reality (AR)